Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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Sandro Botticelli The Birth of Venus oil painting


The Birth of Venus
mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence.
Painting ID::  56805
Sandro Botticelli
The Birth of Venus
mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence.
   
   
     

Sandro Botticelli Portrait of youth oil painting


Portrait of youth
mk250 Year 80 in the early 15th century. Wood color eggs, 40.6 x 30.5 cm Washington National Gallery.
Painting ID::  56806
Sandro Botticelli
Portrait of youth
mk250 Year 80 in the early 15th century. Wood color eggs, 40.6 x 30.5 cm Washington National Gallery.
   
   
     

Sandro Botticelli Portrait Cosimo old gentleman oil painting


Portrait Cosimo old gentleman
the mk261 Florence, the Ukrainian Fiji art museum in 1890 numbered 1488.
Painting ID::  58144
Sandro Botticelli
Portrait Cosimo old gentleman
the mk261 Florence, the Ukrainian Fiji art museum in 1890 numbered 1488.
   
   
     

Sandro Botticelli Our Lady of the Annunciation oil painting


Our Lady of the Annunciation
mk261 Florence, the Ukrainian Fiji art museum, the warehouse numbers 201.
Painting ID::  58155
Sandro Botticelli
Our Lady of the Annunciation
mk261 Florence, the Ukrainian Fiji art museum, the warehouse numbers 201.
   
   
     

Sandro Botticelli pallade e il centauro oil painting


pallade e il centauro
mk261 firenze 1482 ca tempera su tela cm 207 x148 firenze, galleria degli, inv depositi n 29
Painting ID::  58311
Sandro Botticelli
pallade e il centauro
mk261 firenze 1482 ca tempera su tela cm 207 x148 firenze, galleria degli, inv depositi n 29
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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